Chen Taijiquan Blog
Here we add some info on our academy, some general info on the practice of Chen Taijiquan, on the prana-bindu 神经肌肉 contents ("Dune-speak" for arcane nerve-muscle-training) of Taijiquan and more :) We hope you find some of it interesting or insightful. If not, best don't read it :) If you want to make some suggestions what topics we can cover just let us know. There will surely be technical topics, with regards to the contents of Taijiquan practice, but also didactic or educational matters which might spark our interest. Stay tuned, this is only the beginning! 😀
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- Written by: Linda Yeo
Thanks to the Beijing Academy and Chen Yu's wife Siyu for providing the text and allowing us to translate it in full! This is from 2013 and as it was conducted with students & disciples it is very casual.
Note: Many technical terms are used here which might be difficult to understand outside of this lineage as their use often differs.
CHEN SHI TAIJIQUAN GONGFUJIA
Chen Yu & Zhang Siyu (Yujie) with disciples from China and Hongkong
Xiamen: In the body twist jump in Erlu of Fan Hua Wu Xiu, what are the special points to consider to attain whole combined Jin (Zheng He Jin)?
Chen Yu Answer: Body, hands, elbows are coordinated (Pei He), to form one complete jin (Zheng Jin)
Tianjin: If we pull back the kua the buttocks will stick out, is that correct manner of practice?
Chen Yu Answer: No this is incorrect, when we pull back the kua, the buttocks cannot stick out.
Qingdao: What should we consider during Hai Di Fan Hua? I cannot express any Jin during this movement, it feels soft and floppy.
Chen Yu Answer: Pay attention to the body method (Shenfa), must all connect together.
Shaanxi: Everytime I practise, the kua (hips) cannot song (relax) properly, what am I doing wrong?
Chen Yu Answer: A look at your form practice would reveal the problem.
Zhejiang: There is too much Heng Qi (horizontal Qi), what is needed to sink Qi to dantien?
Chen Yu Answer: Exhale in a sigh, find the feeling of exhaling in a sigh.
Chang Zhe: In the Yilu routine, between Ji Di Chui (38 Punch the Ground) followed by Fan Shen Er Qi Jiao (39 Turn Over Body and Double Raise Foot), there is a Shen Xian Yi Ba Jua (The Immortal’s Palm Grab) move where there is a folding of the chest and waist Xiong Yao Zhe Die, is this executed with a center of weight change? If so, how is this center of weight change executed? Thank you.
Chen Yu Answer: Yes, utilise the body method to execute.
Beijing: How to practise and achieve the opening back of Mingmen?
Chen Yu Answer: Sink the waist Jin down, and the anus lifted.
Fushun: What is the difference between Shuang Bai Lian (62 Double Wave Lotus), Die Cha (63 Stretch Down) and Fu Hu (42 Subdue the Tiger from Erlu)? What are their differences in application?
Chen Yu Answer: One is Yilu, the other is Erlu, the forms differ.
Shanxi: Is my kua correctly song?
Siyu Answer: External 8 form, pay attention to He Jin
Chen Yu Answer: Your kua has no issue, but the feet and elbows have problems.
Hebei: Is there a simple way to train song kua?
Chen Yu Answer: No. Go find the feeling of sitting on chair.
Jiu Jiang: During the Lanzhayi movement where we sink and extend the jin, how many degrees of curvature should the knee go?
Chen Yu Answer: Knee should be perpendicular to toes.
Siyu: We do not train with sudden changes in height, therefore in Lanzhayi always maintain a similar height.
Shandong: With respect to external peng in the knees, how many degrees should the knees peng out?
Chen Yu Answer: Knee should be perpendicular to toes.
Fushun: Shuang Bai Lian (62 Double Wave Lotus) and Die Cha (63 Stretch Down) should they be executed stuck to the ground?
Siyu Answer: There is no sticking to the ground, wipe the ground and lift.
Shandong: Why does my Kua feel pain when I shift my center of weight, such as in Jing Gang Dao Dui.
Answer: Kuagen yet to song (relax), whole body has yet to combine together.
Jiangsu: Beisikou is found in every movement or only in certain ones?
Siyu Answer: Only in certain movements.
Fushun: What are the applications of Shuang Bai Lian (62 Double Wave Lotus) and Die Cha (63 Stretch Down)?
Chen Yu Answer: To attack the opponent’s lower body.
Haiyang: What should I pay attention to during Hai Di Fan Hua (Yilu 43 Turn over the Sea Flower) with my left foot and center of weight ?
Siyu Answer: Center of weight should stand stable.
Shandong: During practice, what should I do when I do not feel sufficient Peng Jin, and inability to focus?
Si Yu Answer: Haha, then compose yourself and focus!
Beijing: What is the application of Fu Hu (Erlu 42 Subdue the Tiger)?
Chen Yu: It can attack the lower body or middle body, hitting from below upwards.
Beijing: How should Yan Shou Gong Chui be executed with Tan Dou Jin?
Si Yu Answer: This requires much practice.
Beijing: What are the main points to perfect Er Ti Jiao (Yilu 39 Double Raise Foot)?
Chen Yu Answer: The hands carry the feet up.
Zhejiang: When will the new book be released?
Chen Yu Answer: It’s work in progress.
Baoding: Should I master the first 16 movements leading up to the third Jing Gang Dao Chui in order to improve faster?
Chen Yu Answer: Yes.
Fushun: How low should I go with Fu Hu (Erlu 42 Subdue the Tiger) ?
Chen Yu Answer: The buttocks should not go below the height of knees.
Si Yu Answer: During the squat, the thighs should not go below the parallel with the ground.
Shandong: How do we achieve central upright during movements.
Chen Yu Answer: Pay attention to Xu Ling Ding Jin, Qi Chen Dan Tien, Kua Gen Fang Song.
Tianjin: Does the face look at the sky during Fan Hua Wu Xiu (Erlu 39 Turnover Flowers Brandishing Sleeves)?
Si Yu Answer: Haha, don’t look at the sky.
Shandong: During the training, does the intention guard the Mingmen? Can you elaborate the requirements?
Chen Yu Answer: Intention should guard the Dan Tien instead.
Zhejiang: I am a Physical Education instructor, still a beginner in Chen Shi Taiji with a few movements. At this stage, can I push hands with high school students, let them wrestle and push me while I try to Hua?
Chen Yu Answer: You can.
Hong Kong: During the Middle Winding in Yilu, when lifting the right knee to hit out, my left standing leg is unstable. What could be the problem?
Chen Yu Answer: Kua Gen has yet to song, the whole body has not connected.
This is some video footage of Chen Yu:
Contact information Beijing:
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传播武术、弘扬民族精神 陈瑜 陈家沟陈氏第十九世嫡宗传人 北京武协陈照奎太极拳专业委员会 主任 陈氏太极拳家传功夫架推广中心 主任 陈氏太极拳家传功夫架推广中心宗旨：完成传承使命，传播太极文化。 面对世界，常年举办培训班！ 官方微信平台：家传功夫架 官方网站：陈瑜太极网 官方微信号：cytjw-cn (思雨) |
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- Written by: Linda Yeo
Thanks to Beijing and Chen Yu's wife Siyu for providing the text and allowing us to translate it in full! We thought it is a great record, now almost from another time, when the internet world was still young and looked quite different from today.
Note: The following transcript is the first time that Chen Yu publicly communicated with netizens on taiji.com directly in August 2001. Knowledge of the Chinese language and culture are probably helpful to understand some of the answers in a better context, as Chinese courtesy and so on have to be considered to understand the chat correctly.
Taiji.com : Tonight's guest is Mr. Chen Yu, the 19th generation successor of Chen Shi Taijiquan and the direct descendant of Master Chen Zhaokui. He is chatting with you online from his home in Beijing. Now let him say hello to everyone!
Chen Yu : Thank you very much for providing me with such an opportunity to communicate with everyone. I hope you can ask questions freely and speak freely.
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- Written by: Linda Yeo
Chen Zhaokui and Traditional Chen Shi Taijiquan
By Chen Yu's oral dictation to Hou Zhiyang
In 1928, Mr. Chen Fake was invited by Xu Yusheng and other scholars to teach boxing in Beijing. He had a multitude of practitioners and what he taught was known as dà jìa大架 (big frame). Mr. Chen Zhaokui was the youngest son of CFK. He was born in Chenjiagou on January 24, 1928. He began to learn quan at the age of seven and obtained the family tradition of low-stance quan taught by his father. This particular frame, the movements are extremely delicate, the difficulty is relatively high requiring a lot of gongfu, but it is a body method that is sure to take and is suitable for young people to practice. CFK strictly urged CZK to do his utmost to attain true transmission. When Mr Zhaokui was in his twenties, his gongfu was already outstanding. After the death of his father, Zhaokui became the sole representative and practiced with such diligence that his level of gongfu was like a stove fire turning green (allusion to taoist alchemy) and reached the point of perfection. In fact, Zhaokui did not teach much outside, and many people in the world had never known about it, so much so some people say that the Chen family gongfu had already been lost.
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- Written by: Nabil Ranné
We had another great Q&A session talking about some theory and also about some problems students encountered. This is just an extract of the longer version but maybe you would like to check it out.
Talk is about silk reeling concepts, problems in basic silk reeling exercises, about the "beisikou" concept, about weight changes, knee health and more. Some parts which seemed of more interest to our students only were taken out, but I think there are parts which might also be interesting for others and maybe even spark some interesting discussion. Questions usually come from all levels, from teachers as well as beginners, but it is a very casual format so I think everybody can join and have a good time :-)
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- Written by: Nabil Ranné
A student asked me at our last taiji camp what my personal training looks like. As it changed quite a bit over time (I started practicing in the 1990's) I always find it a bit difficult to answer such a question in a way which helps the students with their own training. Now, a couple of days after our camp, I came up with the following thoughts.
When we start with a practice like Taijiquan, I think next to training the art we will always have a lot of learning (1) to do. Learning comprises stuff like learning movements, learning patterns, drills, learning names for movements, learning concepts (like in the image on the left from Chen Xin about the requirements of a certain posture) and some theory which we need to be able to practice well. After a while the learning aspect may subside a bit so the training (2) aspect can increase and become our main focus. Training then means drilling movements and movement patterns by using the specific concepts we learned.
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- Written by: Nabil Ranné
(This is a pretty literal and somewhat rough translation of the biography which can be found in Chen Yu's book Taiji Rensheng, 2011, pp. 25-25, see below for contact information)
Family Tradition of Chen Style Taijiquan (Tai Chi)
Chen Zhaokui (January 24, 1928 - May 7, 1981), ancestral home in Chenjiagou, Wenxian County, Henan Province, settled in Beijing with his father. He is the representative of the eighteenth generation of the Chen family, and is known as "High Divine Fist" 神拳太保.
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- Written by: Nabil Ranné
Integrated Taijiquan Training
In the following video I explain two movements from the second road (paochui) of Chen Taijiquan and then I show some applications derived from these movements. So in the first part it is more about the functional and applicable bodywork which trains certain force routes 劲路 in the body, the second part is more about the martial work and how to use these forces in different situations. This is not (!) a self defense scenario or anything like that, it is more an exploration of how forces and a functional body/torso method 身法 can be applied in a technical sense. These exercises comprise the application training (yongfa) of Taijiquan and connect the bodywork and the martial work with one another so they become one.
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- Written by: Nabil Ranné
Concepts & Theory
This is surely a format not so often seen or done, but in my experience it is difficult especially for a Western audience to put things into a real practice without understanding the concepts which have been handed down in Chinese martial arts theory.
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- Written by: Nabil Ranné
CTNAcademy, social responsibility & sustainability
Usually I don't write here about political topics or the like. Of course, we share certain moral values here... tolerance, equality, moral conduct, treating people fairly and so on. But apart from that I think there are many possiblities how to engage oneself individually in times of crisis such as the current war in Ukraine. There are many great projects out there which cause little overhead and will have great effect and where we can try to have a positive impact.
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- Written by: Nabil Ranné
There has been a lot of talk about small, big, new and old frames of Chen Taijiquan. But today I want to take a different perspective on the topic. And that is: we HAVE TO change our frame.
I can sometimes perceive a wrong sense of tradition and obligation towards a certain tradition (also in myself) which leads us to think we shouldn't change anything in what our teacher taught us. While that is true as it doesn't make much sense to change everything you have been shown without understanding any of its depth yet, it is also wrong not to change one's frame at all.
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- Written by: Nabil Ranné
We have many details and requirements in this Chen Taijiquan and I see that as a great strength. However, when people try to make everything right it can be a bit inhibiting and the strength of having much to offer can actually become a weakness. I sometimes see that students will try so hard to do everything right that they do not see anymore why we are doing it a certain way. And they don't realise if they are actually doing it right as they don't have anything to contrast the practice with.
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- Written by: Nabil Ranné
Beginning steps as a novice
Usually when I lead through a class I take students on a ride through my own practice. That can make things quite demanding as there are a lot of things to work on, details in the body work, in the intention work, in the forces we use and so on. So it can just become a bit too much especially for a novice who cannot possibly know how to prioritise things. On the one hand my experience shows everybody will still take things from the class in a very individual kind of way :-) They will kind of naturally choose what is relatable, what they want to work on or what they can connect with. Plus it makes the class more interesting for the advanced students and it helps to keep the focus of the group together.
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- Written by: Nabil Ranné
Technical requirements in Chen Taijiquan
When we train the form it is important that we learn to understand the intrinsic body work and the underlying forces in the single positions. We might encounter movements which we can relate to more and some we can relate to less. But to make the form full we also need to put in certain "intentions" into all movements. To do that we also need to understand the martial usage of movement sequences.
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- Written by: Nabil Ranné
This is a somewhat special post as I thought it might be nice for readers to see some of my students and get some ideas of how people train with me. On a meta-level I thought it is good to understand that there are many methods ingrained in the form training which are shared in our whole community - they are not just individual skills or "talents". I guess many of these methods can be better seen if compared over a range of practioners. On a micro-level I hope the videos are just enjoyable as they feature enthusiasts who are serious in their pursuit of the art. I might add more later, not everybody likes to share their training but maybe I can nudge some more to lose their shyness ;-)
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- Written by: Nabil Ranné
There is more than meets the eye
Here I would like to share a couple of thoughts on methods, what we can find in a method and what can we see from the outside and what not. I will use one example of a concept most people who train Chen Taijiquan will be familiar with.
Leg structure and intentional work
One requirement for Chen Taijiquan is yuan dang 圆裆, rounding the crotch. The weight will thus drop in a different way than it would if we didn't heed the requirement. The weight has to be distributed in such a way that it does not constantly compress all joints. Rather there is a tensile action we want to develop which protects the joints. The connections run all the way down to the feet of course.
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- Written by: Linda Yeo
Memoirs of learning boxing with Mr. Chen Zhaokui (Episode I)
By Bai Shuwen
In the spring of 1971, I worked in the Political Department of the first artillery. Through the recommendation of Wang Ju of the Logistics Department in the second artillery, I was lucky to meet Mr. Chen Zhaokui in Nan Li Shi park. At that time, he was teaching Yilu 83 Form Chen Taijiquan. This was the first time I saw Chen Taijiquan. In his teaching demonstration, Chen laoshi displayed every movement with a deep level of gongfu. His exquisite quan skills deeply attracted me. Right at that moment, I was secretly determined to learn boxing from Chen laoshi.
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- Written by: Nabil Ranné
Methods in form practice
I remember when I looked at the manuals of old it always seemed to me that the postural details found in the descriptions were somehow a bit arbitrary. It didn't seem easily understandable how they really linked up and thus they lost their importance and relevance to me back then. Of course, the books (like Chen Xin's here on the right) were not really meant to be easily understandable "do it yourself" books in the first place.
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- Written by: Nabil Ranné
Internal and external martial arts
The Chinese martial arts are often differentiated into a so-called "internal school" and an "external school". Taijiquan is associated with the "internal school". I would like to share a couple of thoughts here on the issue.
History in a nutshell - the internal school
If you are not interested in history then you can skip this part.
Huang Zongxi (1610 - 1695) - one of the "most important intellectual figures of the early Qing", historian, philosopher, poet and author (from Mote, 1999) - was (just like Chen Taijiquan founder Chen Wangting) a Ming dynasty loyalist.
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- Written by: Linda Yeo
Mongolian Taijiquan master Tuo Mu Si about training with Chen Zhaokui
Translated by Linda Yeo from Chen Taijiquan Nairobi
Fascinating account by Mongolian taijiquan master Tuo Mu Si 妥木斯 who is featured in this video pushing hands with CZK.
Born in 1932, Tumut Zuoqi, Inner Mongolia, Mongolian. Oil painter, art educator. In 1958, he graduated from the Oil Painting Department of the Central Academy of Fine Arts. In 1963, he graduated from the Central Academy of Fine Arts Oil Painting Research Class. In 1983, he was awarded the professor of Fine Arts Department of Inner Mongolia Normal University. Retired in 1998. He studied Chen style Taijiquan from Chen Zhaokui and gives the following account of his time spent with CZK.
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- Written by: Filip Gutknecht-Stöhr
Taiji and fascia - Abstract
By Filip Gutknecht-Stöhr (May 2019)
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| Youtube: The Wonderful World of Fascia https://www.youtube.com/watch?v=hijLMz9lEygbv | |
For several years now, the concept of fascia has become increasingly popular. Previously, the attention of research was mostly on isolated structures such as nerves, muscles, tendons, ligaments, bones, etc.. However, the notion of fascia as merely a layer of thin tissue enveloping our muscles is increasingly giving way to the realization that the properties and functions of fascia are far more comprehensive and significant than previously thought.
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- Written by: Nabil Ranné
Types of forces in Chen Taijiquan
We find many different forces (劲 jin) in Chen Taijiquan practice. They actually work on different kinds of levels. For example, when we talk about peng jin 掤劲 we mean a certain expansive force which should be present in the whole body at all times, building tensegrity into our bodies. When we talk about "silk reeling" (缠丝 chansi) it means how the forces should be wrapped in the body.
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- Written by: Nabil Ranné
The first form is the most important part of the Chen Taijiquan training system. I would like to let you know a bit about its history, its roots, the names of the movements and so on so you get a general overview.
We don't call it old frame (laojia) nor new frame (xinjia), but Chenshi Taijiquan Gongfujia Yilu
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- Written by: Nabil Ranné
In 2008 I was doing research for my own book on Chen Taijiquan. So I contacted some other researchers in this field - one of whom was Marnix Wells. Fortunately we could meet up in Beijing shortly after writing emails to and fro. When we met we immediately formed something like a friendship. Marnix is a gentleman, very knowledgeable and with ample experience in the martial arts. He might not look like it but he is a generation older than me so his stories also enabled me to "look back in time", getting a feel for Hongkong in the 1960's, South-East Asia in the 70's and so on. He shared many stories how he met and trained with some of the great names of old who shaped the early experiences the West had with the Chinese Martial Arts.
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- Written by: Nabil Ranné
Yes, I have to admit, I read all of Frank Herbert's Dune novels when I was young and I always absolutely loved them! :) When I started this blog I had to somehow think of the prana-bindu training of the arcane order of the Bene Gesserit. In a moment of utter nerdiness I looked up the words in a Chinese version of the novel and saw they are being translated as 神经肌肉, nerve and muscle (sinews, fascia) training. Somehow I thought that is quite befitting and describes well what we do in Chen Taijiquan.
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- Written by: Nabil Ranné
This is just a thought I had the other day... quite often discussions around martial arts lead to group think, virtual sects and a lot of hostility bewtween different groups of people who practise different arts. Just like everywhere where people get together... Maybe because a lot of martial arts club are pretty hierarchical. So if you are top of a hierarchy you might get out of your bubble only to find out people outside don't put you on a pedestral anymore. Of course it might also have to do with the general underlying mindset of the martial arts to dominate one another in a quite archaic way - through violence. So some people might use the same mindset in normal communication or as their default mode for conflict. Which is kind of sad I think.
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- Written by: Nabil Ranné
What is relaxation in Taijiquan?
Relaxation 放松 is one of the basic qualities in Taijiquan. In Chinese we would refer to these basic aspects of our training as "requirements" 要求. However, relaxation is often declared to be the sole purpose of Taijiquan. In my experience this thought leads to a somewhat wrong understanding and makes real progess in the art difficult. Because relaxation, loosening or the associated sinking are prerequisites for Taijiquan, but not the only movement goals. This is at least true of our art. Though we can achieve positive results with "relaxation", excessive relaxation and excessive "letting go" are irrelevant from a martial point of view and can also lead to physical problems from a health perspective.
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- Written by: Nabil Ranné
I wrote this in 2011 as I thought there was so little information available on Chen Zhaokui. This is the English translation of the German text. I did not have the time to check all original translations again, so there are surely some parts which might be expressed in a much better way. But I wanted to share the article as I think it contains some elements not so often talked about. There is a biography of Chen Zhaokui which can be found here on the website. I made some smaller revisions here in the article while translating it. Let me know what you think!
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- Written by: Nabil Ranné
How do we learn Taijiquan as a martial art?
After a good chat with fellow gongfu nerd Jon Nicklin I felt inspired to delineate a couple of quick thoughts and general ideas on how to learn Chen Taijiquan as a martial art. When it comes to learning and teaching martial arts I think we need to make one basic difference:
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- Written by: Nabil Ranné
Summary: This is about communication and miscommunication when teaching Taijiquan or writing about (internal) martial arts. Also how language and concepts (proverbs and such) shape our practice, how we can relate to that while learning or teaching the arts and how to separate, connect and integrate your body experience and hone skills.
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- Written by: Nabil Ranné
Where does the Taijiquan cannon fist (paochui) come from?
The second form of Chen-style Taijiquan is called "cannon fist". It is a form which was recorded in the early records of the Chen Family which were recovered by the researchers Tang Hao and and Xu Zhen. It has traditionally been part of the curriculum of this style. In the old manuscripts there is a note: "Fifteen fists [and] fifteen cannons, use the heart [xin / centre] in boxing practice."
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- Written by: Nabil Ranné
Common mistakes in Chen Taijiquan
Those who train with me know I don't want to impose my or our training methodology on anyone. So here I write about common mistakes which can happen in our training. And I think it helps to be aware of them. Of course if you train some other style or in some other lineage you might also want to read this post as it might help you to make up your own mind on how you solve these matters in your practice.
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- Written by: Nabil Ranné
This question was asked by a new student who had before practised in another lineage for about 10 years. I was taken aback and flabbergasted. My main thought was: "Really? You are asking me this kind of question?" And found it difficult to answer properly.
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- Written by: Nabil Ranné
The second form of Chen-style Taijiquan: Cannon Fist
By Gu Liuxin (1983), translation © CTN ACADEMY.
(Translation from: Gu Liuxin. (2005 reprint). Paochui: Chenshi taijiquan di erlu (reprint). Beijing: Renmin tiyu chubanshe. Pp. 42-44)
Note: Gu Liuxin learnt different styles of Taijiquan from very well-known teachers like Chen Fake, but also Yang Chengfu and others.
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- Written by: Nabil Ranné
Chen Zhaokui's silk reeling manuscript
(posthumously published script by Chen Zhaokui, revised by Chen Yu, translated by Stefan Gätzner and by Nabil Ranné)1
The reeling force 缠劲 is also called silk reeling force 缠丝劲 and it is one of the main contents of Chen-Style Taijiquan.
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- Written by: Nabil Ranné
Online Learning Formats
As the Taijiquan school is kind of set up now I thought it makes sense to talk a bit on how we teach, the reason's behind it, the prospects and also the values behind our school. Hopefully you enjoy learning a bit more about our online training.
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- Written by: Nabil Ranné
Vajrapani, in a 9th century representation from Dunhuang, is the guardian deity whose symbol inspired the Chen Taijiquan posture of "Buddha's Warrior Pounds Mortar" 金刚捣碓, thus linking taiji symbolism to ancient breathing methods.
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- Written by: Nabil Ranné
We have methods in Chen Taijiquan which are called seizing methods 拿法 nafa or capturing and seizing 擒拿 qinna, which also contain a range of techniques from catching sinews 抓筋 zhua jin or turning bones 反骨 fan gu among others. Often we refer to these methods simply as joint locks though their usage differs somewhat. All methods contain a range of great applications for practical usage. They can also be trained in a pretty safe environment if taught in a reasonable manner.
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- Written by: Nabil Ranné
Maybe it makes sense to say something about my own journey before someone might want to ask me to set out on a Taijiquan journey and learn from me. So I want to share some info on how I learned what I teach.
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- Written by: Nabil Ranné
Here I thought it might be interesting to talk a bit about different training intentions, about the Chen Taijiquan training process and to give some examples of different kinds of practices. I was inspired to write this post by one of the (fortunately rare) negative comments I got on YouTube. So I am trying to transform the negativity into something useful here :-)
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- Written by: Nabil Ranné
In the last two weeks I heard two of my students (with ample prior experience) describing our Chen Taijiquan frame to someone. One of them, being a Chinese speaker, used the term 丰富 fengfu, which means "abundant". The other one, an English speaker who comes to my workshops from afar, said to another student: "this frame is very rich, with so many details". When I think about this the German word "reichhaltig" comes to my mind, which means something like "rich in content".
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- Written by: Nabil Ranné
To help you book a class, here is a step by step explanation of the booking process!
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- Written by: Nabil Ranné
Online Learning - does it really work?
In the beginning we were all quite skeptical about online learning in Taijiquan. Though our Chinese family branch started this already about 10 years ago. But after teaching students abroad especially during the Corona lockdown we changed our minds and saw the actual improvement of all those who are sincerely training online.
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- Written by: Nabil Ranné
Some of you might be thinking: Who are the people offering the online classes? Nabil Ranné and Konstantin Berberich founded the Chen-Style Taijiquan Network Germany in 2009/2010 to promote the Taijiquan in the lineage of our teacher Chen Yu. He has outstanding gongfu (Chinese for skill / martial skill) and learned Taijiquan in direct line from Chen Changxing (via Chen Gengyun and Chen Yanxi) to Chen Fake and Chen Zhaokui, his father.